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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Karin Catt

Karin Catt grew up in Newcastle, where she began taking photographs of touring bands while a schoolgirl, and also in London and Hong Kong.

9 portraits in the collection

Dulcie Sharpe and Rhonda Sharpe in a room with a brown tile floor, next to a wooden table with soft animal sculptures

Yarrenyty Arltere Artists

Artists and Collectives

A not-for-profit Aboriginal owned and run art centre, Yarrenyty Arltere Artists in Mparntwe/Alice Springs are known for their unique and distinctive soft sculptures that reveal stories and experiences of life in their community.

Patrick Corrigan

Patrick Corrigan

Patrick Corrigan

Patrick Corrigan, 2006

Portrait, oil on canvas

Gift of Patrick Corrigan AM 2007

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Dr Jill Orr

Dr Jill Orr (born 1952) is a Melbourne-born contemporary artist, whose performance-based practice has continued to interrogate the environmental concerns since the 1970s.

1 portrait in the collection

George Moore

George Moore

George Moore (1923-2008), champion jockey, was born in Mackay, Qld and was apprenticed in Brisbane in 1938.

1 portrait in the collection

Paul Capsis

Paul Capsis

Paul Capsis (b. 1964), performer, was raised by his mother and grandmother in the inner-Sydney suburb of Surry Hills.

1 portrait in the collection

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Adam Knott

Adam Knott (b. 1966) began taking photographs for local newspapers as a schoolboy in St George, South Sydney.

7 portraits in the collection

Daddy Cool, Melbourne

Daddy Cool, Melbourne

Daddy Cool, Melbourne

Daddy Cool, Melbourne, 1974

Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2005

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

The Reorientalist, 2013 by Juan Ford

Juan Ford

More about In the flesh artists

Juan Ford received a Master of Art, by research, from RMIT University in 2001. His many commissions include the National Gallery of Victoria’s interactive work You, me and the flock for Melbourne Now 2013/2014 and a project for Hotel de Immigrantes, a project in Manifesta 9, the European Biennale in 2012.

Recruit (Self Portrait in the image of my son), 2012 by Michael Peck

Michael Peck

More about In the flesh artists

Born in Melbourne in 1977, Michael Peck has a Bachelor of Fine Art (honours) (Painting) from Monash University. He has exhibited as a solo artist since 1998, when he won the National Gallery of Victoria’s Trustees Award.

Pat Corrigan

Pat Corrigan

Pat Corrigan

Pat Corrigan, 2007 (printed 2021)

Portrait, type C photograph on paper

Purchased 2021

Sally Smart standing in her wooden floored studio holding a puppet

Sally Smart

Artists and Collectives

Based in Naarm/Melbourne, Sally Smart is known nationally and internationally for her large-scale cut-out assemblages, collages, textile works and puppetry.

Smalltown Boy (Surfers Paradise)

Smalltown Boy (Surfers Paradise)

Smalltown Boy (Surfers Paradise)

Smalltown Boy (Surfers Paradise), 2018

Portrait, gilcée print on paper

Purchased 2021

Smalltown Boy (Perth)

Smalltown Boy (Perth)

Smalltown Boy (Perth)

Smalltown Boy (Perth), 2018

Portrait, gilcée print on paper

Purchased 2021

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency